Backings

Our unbleached muslin is a heavy diffusion and can be used when shadowless, wrap-around light is desired. Can also be used as a bounce.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

Ultra soft reflectors treated to be a self-extinguishing fabric that will give you a subtle reflective bounce. Our Silver Lamay gives a cool natural effect.

Softens and diffuses direct light and introduces a significant amount of ambient bounce.

May be used both for bouncing, where it gives off a soft light without any hot spot, or as a very soft diffusion material.

Comes standard Flat White

Comes standard Flat White

Set Includes Single-net, Double, Silk (Poly), & Solid Backing. The set includes flags/ nets and scrims, perfect for controlling, reflecting light, and bouncing light. Includes Frame.

Set Includes Single-net, Double, Silk (Poly), & Solid Backing. The set includes d flags/ nets and scrims, perfect for controlling, reflecting light, and bouncing light. Includes Frame.

Set Includes Single-net, Double, Silk (Poly), & Solid Backing. The set includes flags/ nets and scrims, perfect for controlling, reflecting light, and bouncing light. Includes Frame.

Set Includes Single-net, Double, Silk (Poly), & Solid Backing. The set includes flags/ nets and scrims, perfect for controlling, reflecting light, and bouncing light. Includes Frame.

Set Includes Single-net, Double, Silk (Poly), & Solid Backing. The set includes flags/ nets and scrims, perfect for controlling, reflecting light, and bouncing light. Includes Frame.

This camo net is a wide-weave green netting with a built-in cucoloris pattern (think leafy shadows that would be produced by a tree canopy). It’s often used to create dappled light, to hide unwanted objects in the shot, or to conceal frame shadow. Designed to disrupt outlines at different distances, typically digital camouflage patterns made of pixels. Effective at defeating visual observation.

This camo net is a wide-weave green netting with a built-in cucoloris pattern (think leafy shadows that would be produced by a tree canopy). It’s often used to create dappled light, to hide unwanted objects in the shot, or to conceal frame shadow. Designed to disrupt outlines at different distances, typically digital camouflage patterns made of pixels. Effective at defeating visual observation.

This camo net is a wide-weave green netting with a built-in cucoloris pattern (think leafy shadows that would be produced by a tree canopy). It’s often used to create dappled light, to hide unwanted objects in the shot, or to conceal frame shadow. Designed to disrupt outlines at different distances, typically digital camouflage patterns made of pixels. Effective at defeating visual observation.

This camo net is a wide-weave Beige netting with a built-in cucoloris pattern (think leafy shadows that would be produced by a tree canopy). It’s often used to create dappled light, to hide unwanted objects in the shot, or to conceal frame shadow. Designed to disrupt outlines at different distances, typically digital camouflage patterns made of pixels. Effective at defeating visual observation.

This camo net is a wide-weave green netting with a built-in cucoloris pattern (think leafy shadows that would be produced by a tree canopy). It’s often used to create dappled light, to hide unwanted objects in the shot, or to conceal frame shadow. Designed to disrupt outlines at different distances, typically digital camouflage patterns made of pixels. Effective at defeating visual observation.

This green screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This blue screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This green screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This blue screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This green screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This blue screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This green screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This blue screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This green screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This green screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This green screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This blue screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This green screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

Reversible screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Allows the option to use either blue or green side. Chroma also has a darker shade than Digital, so it wont reflect as much light on its subject.

This blue screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This green screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

Lighter and brighter shade of Blue than Chroma Blue. More reflective light than Chroma.

Lighter and brighter shade of Green than Chroma Green. More reflective light than Chroma. Subject should be farther from the screen to avoid the green light reflected on the skin, hair, and clothing.

Lighter and brighter shade of Green than Chroma Green. More reflective light than Chroma.

This material is made from a polyester fabric and is a bright and vibrant color making it perfect for all sorts of backgrounds - portrait, product, general commercial photography etc. Lighter and brighter shade of Blue than Chroma Blue. More reflective light than Chroma.

Lighter and brighter shade of Green than Chroma Green. More reflective light than Chroma.

This material is made from a polyester fabric and is a bright and vibrant color making it perfect for all sorts of backgrounds - portrait, product, general commercial photography etc. Lighter and brighter shade of Blue than Chroma Blue. More reflective light than Chroma.

Lighter and brighter shade of Green than Chroma Green. More reflective light than Chroma.

Lighter and brighter shade of Blue than Chroma Blue. More reflective light than Chroma.

Lighter and brighter shade of Green than Chroma Green. More reflective light than Chroma.

Lighter and brighter shade of Blue than Chroma Blue. More reflective light than Chroma.

Lighter and brighter shade of Green than Chroma Green. More reflective light than Chroma. Subject should be farther from the screen to avoid the green light reflected on the skin, hair, and clothing.

Tenba DNA 13 DSLR Camera Messenger Bag (Black) will fit a mirrorless or DSLR camera with 3-5 lenses (up to 70-200mm 2.8) plus flash and accessories, along with a laptop up to 13 inches (33 cm) and a tablet up to 11 inches (28 cm) such as the iPad 11 Pro.

Duvetyne has a matte finish and its high opacity makes it ideal for blocking light.

Duvetyne has a matte finish and its high opacity makes it ideal for blocking light.

Duvetyne is a heavy black fabric with a nap on one side used to block out light. It is flame retardant, making it safe to use around hot lights. Also known as “commando cloth”, duvetyne provides complete light loss and serves many purposes including blacking out windows, concealing cables, protecting equipment, hiding reflections, controlling spill light, and more

Duvetyne has a matte finish and its high opacity makes it ideal for blocking light.

Duvetyne has a matte finish and its high opacity makes it ideal for blocking light.

Duvetyne has a matte finish and its high opacity makes it ideal for blocking light.

Duvetyne has a matte finish and its high opacity makes it ideal for blocking light.

Duvetyne has a matte finish and its high opacity makes it ideal for blocking light.

Unbleached Bolt of Fabric 108” x 5 Yards.

Reinforced woven diffusion material. Absorbs approximately 1/4 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/2 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/2 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/2 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/2 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/4 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/4 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/2 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/2 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/4 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/4 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/2 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/2 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/4 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/4 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/2 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/2 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/4 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/4 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

- Shiny white reflector on one side - Shiny silver on the other

- Shiny white reflector on one side - Shiny black on the other

- Shiny white reflector on one side - Shiny black on the other

- Shiny white reflector on one side - Shiny black on the other

- Shiny white reflector on one side - Shiny silver on the other

- Shiny white reflector on one side - Shiny black on the other

- Shiny white reflector on one side - Shiny black on the other

Our Griffolyn has a reinforced weave and provides very good heavy diffusion or light reflector. White on one side with a shiny gold metallic finish reflector. Provides a natural warm diffusion.

Our Griffolyn has a reinforced weave and provides very good heavy diffusion or light reflector. White on one side with a shiny gold metallic finish reflector. Provides a natural warm diffusion.

- Shiny white reflector on one side - Shiny silver on the other

This product is heavier than the Soft Frosts, and offers higher density diffusion. It is quiet in windy environments and is perfect for use on camera cars. For minimal softening of sunlight, or studio fixture output.

This product is heavier than the Soft Frosts, and offers higher density diffusion. It is quiet in windy environments and is perfect for use on camera cars. For minimal softening of sunlight, or studio fixture output.

This product is heavier than the Soft Frosts, and offers higher density diffusion. It is quiet in windy environments and is perfect for use on camera cars. For minimal softening of sunlight, or studio fixture output.

This product is heavier than the Soft Frosts, and offers higher density diffusion. It is quiet in windy environments and is perfect for use on camera cars. For minimal softening of sunlight, or studio fixture output.

A soft reflector in a Silver and Gold checkerboard pattern. This adds a slight warming effect to the reflected light.

Our gold lamay is an ultra soft reflector with slight warming effect.

Ultra soft reflectors treated to be a self-extinguishing fabric that will give you a subtle reflective bounce Gives a cool natural effect.

Our gold lamay is an ultra soft reflector with slight warming effect.

Ultra soft reflectors treated to be a self-extinguishing fabric that will give you a subtle reflective bounce. Gives a cool natural effect.

Our gold lamay is an ultra soft reflector with slight warming effect.

A soft reflector in a Silver and Gold checkerboard pattern. Adds a very slight warming effect to the reflected light.

Ultra soft reflectors treated to be a self-extinguishing fabric that will give you a subtle reflective bounce.

Our gold lamay is an ultra soft reflector with slight warming effect.

Ultra soft reflectors treated to be a self-extinguishing fabric that will give you a subtle reflective bounce. Gives a cool natural effect.

A soft reflector in a Silver and Gold checkerboard pattern, which adds a slight warming effect to the reflected light.

A soft reflector in a Silver and White checkerboard pattern, which adds a slight warming effect to the reflected light.

Designed for the FUJIFILM G-mount GFX camera system, this GF 32-64mm f/4 R LM WR Lens is a wide-angle zoom offering a 25-51mm equivalent focal length range

Designed for the FUJIFILM G-mount GFX camera system, this GF 32-64mm f/4 R LM WR Lens is a wide-angle zoom offering a 25-51mm equivalent focal length range

Produces very well diffused, neutral light (non color temp altering). This diffusion is especially effective with point sources and a great choice for diffusing LED light as well.

Produces very well diffused, neutral light (non color temp altering). This diffusion is especially effective with point sources and a great choice for diffusing LED light as well.

Produces very well diffused, neutral light (non color temp altering). This diffusion is especially effective with point sources and a great choice for diffusing LED light as well.

Produces very well diffused, neutral light (non color temp altering). This diffusion is especially effective with point sources and a great choice for diffusing LED light as well.

Produces very well diffused, neutral light (non color temp altering). This diffusion is especially effective with point sources and a great choice for diffusing LED light as well.

It may be used both for bouncing, where it gives off a soft light without any hot spot, or as a very soft diffusion material.

Our unbleached muslin is a heavy diffusion and can be used when shadowless, wrap-around light is desired. Can also be used as a bounce.

It may be used both for bouncing, where it gives off a soft light without any hot spot, or as a very soft diffusion material.

12 x 12 Muslin in Night Gray can be used as either a heavy diffusion or backing. Less reflective and absorbs more light than bleached and unbleached muslins.

Our 12X 12 Seamless backing may be used both for bouncing, where it gives off a soft light without any hot spot, or as a very soft diffusion material, all without a seam.

Our unbleached muslin is a heavy diffusion and can be used when shadowless, wrap-around light is desired. Can also be used as a bounce.

It may be used both for bouncing, where it gives off a soft light without any hot spot, or as a very soft diffusion material.

Our unbleached muslin is a heavy diffusion and can be used when shadowless, wrap-around light is desired. Can also be used as a bounce.

Can be used both for bouncing, where it gives off a soft light without any hot spot, or as a very soft diffusion material.

It may be used both for bouncing, where it gives off a soft light without any hot spot, or as a very soft diffusion material.

Our unbleached muslin is a heavy diffusion and can be used when shadowless, wrap-around light is desired. Can also be used as a bounce.

It may be used both for bouncing, where it gives off a soft light without any hot spot, or as a very soft diffusion material.

8’ x 8’ Muslin in Night Gray can be used as either a heavy diffusion or backing. Less reflective and absorbs more light than bleached and unbleached muslins.

Our unbleached muslin is a heavy diffusion and can be used when shadowless, wrap-around light is desired. Can also be used as a bounce.

Double layer of bobbinet net fabric for reducing light output 1.2 f-stops without altering light quality.

Cuts light by 0.6 stops without changing the temperature or pattern. Single scrims are used overhead to reduce sunlight or ambient light. The single scrims also work great as a shoot thru background, softening the background and reducing it's brightness. A single net can be used behind your subject, allowing enough distance so the camera will not see the pattern of the net fabric.

Double layer of bobbinet net fabric for reducing light output 1.2 f-stops without altering light quality.

Cuts light by 0.6 stops without changing the temperature or pattern. Single scrims are used overhead to reduce sunlight or ambient light. The single scrims also work great as a shoot thru background, softening the background and reducing it's brightness. A single net can be used behind your subject, allowing enough distance so the camera will not see the pattern of the net fabric.

Double layer of bobbinet net fabric for reducing light output 1.2 f-stops without altering light quality.

Cuts light by 0.6 stops without changing the temperature or pattern. Single scrims are used overhead to reduce sunlight or ambient light. The single scrims also work great as a shoot thru background, softening the background and reducing it's brightness. A single net can be used behind your subject, allowing enough distance so the camera will not see the pattern of the net fabric.

Cuts light by 0.6 stops without changing the temperature or pattern. Single scrims are used overhead to reduce sunlight or ambient light. The single scrims also work great as a shoot thru background, softening the background and reducing it's brightness. A single net can be used behind your subject, allowing enough distance so the camera will not see the pattern of the net fabric.

Double layer of bobbinet net fabric for reducing light output 1.2 f-stops without altering light quality.

Cuts light by 0.6 stops without changing the temperature or pattern. Single scrims are used overhead to reduce sunlight or ambient light. The single scrims also work great as a shoot thru background, softening the background and reducing it's brightness. A single net can be used behind your subject, allowing enough distance so the camera will not see the pattern of the net fabric.

Double layer of bobbinet net fabric for reducing light output 1.2 f-stops without altering light quality.

Cuts light by 0.6 stops without changing the temperature or pattern. Single scrims are used overhead to reduce sunlight or ambient light. The single scrims also work great as a shoot thru background, softening the background and reducing it's brightness. A single net can be used behind your subject, allowing enough distance so the camera will not see the pattern of the net fabric.

Double layer of bobbinet net fabric for reducing light output 1.2 f-stops without altering light quality.

Cuts light by 0.6 stops without changing the temperature or pattern. Single scrims are used overhead to reduce sunlight or ambient light. The single scrims also work great as a shoot thru background, softening the background and reducing it's brightness. A single net can be used behind your subject, allowing enough distance so the camera will not see the pattern of the net fabric.

Double layer of bobbinet net fabric for reducing light output 1.2 f-stops without altering light quality.

Cuts light by 0.6 stops without changing the temperature or pattern. Single scrims are used overhead to reduce sunlight or ambient light. The single scrims also work great as a shoot thru background, softening the background and reducing it's brightness. A single net can be used behind your subject, allowing enough distance so the camera will not see the pattern of the net fabric.

Slightly softens and diffuses light, without much reduction of light intensity. Introduces a significant amount of ambient bounce.

Softens and diffuses direct light and introduces a significant amount of ambient bounce Approximate light loss is 1.6 stops

Slightly softens and diffuses light, without much reduction of light intensity. Introduces a significant amount of ambient bounce.

Softens light without a great reduction of intensity Introduces a significant amount of ambient bounce Approximate light loss of 1.0 stop

Softens and diffuses direct light and introduces a significant amount of ambient bounce Approximate light loss is 1.6 stops

Slightly softens and diffuses light, without much reduction of light intensity. Introduces a significant amount of ambient bounce.

Softens and diffuses direct light without introducing ambient bounce. Cuts all light bounce that a white silk would have.

Softens light without a great reduction of intensity Introduces a significant amount of ambient bounce Approximate light loss of 1.0 stop

Softens and diffuses direct light and introduces a significant amount of ambient bounce Approximate light loss is 1.6 stops

Slightly softens and diffuses light, without much reduction of light intensity. Introduces a significant amount of ambient bounce.

Softens light without a great reduction of intensity Introduces a significant amount of ambient bounce Approximate light loss of 1.0 stop

Softens and diffuses direct light and introduces a significant amount of ambient bounce Approximate light loss is 1.6 stops

Softens and diffuses direct light and introduces a significant amount of ambient bounce Approximate light loss is 1.6 stops

Softens light without a great reduction of intensity Introduces a significant amount of ambient bounce Approximate light loss of 1.0 stop

Softens and diffuses direct light and introduces a significant amount of ambient bounce Approximate light loss is 1.6 stops

Softens and diffuses direct light without introducing ambient bounce. Cuts all light bounce that a white silk would have.

Softens light without a great reduction of intensity Introduces a significant amount of ambient bounce Approximate light loss of 1.0 stop

Softens and diffuses direct light and introduces a significant amount of ambient bounce Approximate light loss is 1.6 stops

Slightly softens and diffuses light, without much reduction of light intensity. Introduces a significant amount of ambient bounce.

Softens and diffuses direct light without introducing ambient bounce. Cuts all light bounce that a white silk would have.

Softens light without a great reduction of intensity Introduces a significant amount of ambient bounce Approximate light loss of 1.0 stop

Softens and diffuses direct light and introduces a significant amount of ambient bounce Approximate light loss is 1.6 stops

This white vinyl product offers a light soft glow and and holds its diffusion properties even when wet, making it perfect for wet weather applications. Cuts the edge on direct light sources and does not diffuse as much as silks.

This white vinyl product offers a light soft glow and and holds its diffusion properties even when wet, making it perfect for wet weather applications. Cuts the edge on direct light sources and does not diffuse as much as silks.

This white vinyl product offers a light soft glow and and holds its diffusion properties even when wet, making it perfect for wet weather applications. Cuts the edge on direct light sources and does not diffuse as much as silks.

This white vinyl product offers a light soft glow and and holds its diffusion properties even when wet, making it perfect for wet weather applications. Cuts the edge on direct light sources and does not diffuse as much as silks.

This white vinyl product offers a light soft glow and and holds its diffusion properties even when wet, making it perfect for wet weather applications. Cuts the edge on direct light sources and does not diffuse as much as silks.

This white vinyl product offers a light soft glow and and holds its diffusion properties even when wet, making it perfect for wet weather applications. Cuts the edge on direct light sources and does not diffuse as much as silks.

This white vinyl product offers a light soft glow and and holds its diffusion properties even when wet, making it perfect for wet weather applications. Cuts the edge on direct light sources and does not diffuse as much as silks.

This white vinyl product offers a light soft glow and and holds its diffusion properties even when wet, making it perfect for wet weather applications. Cuts the edge on direct light sources and does not diffuse as much as silks.

This white vinyl product offers a light soft glow and and holds its diffusion properties even when wet, making it perfect for wet weather applications. Cuts the edge on direct light sources and does not diffuse as much as silks.

This highly versatile fabric is lightweight and waterproof. The white side provides a soft even bounce without any hot spots and the reverse matte black side can be used for negative fill or masking.

This highly versatile fabric is lightweight and waterproof. The white side provides a soft even bounce without any hot spots and the reverse matte black side can be used for negative fill or masking.

This highly versatile fabric is lightweight and waterproof. The white side provides a soft even bounce without any hot spots and the reverse matte black side can be used for negative fill or masking.

This highly versatile fabric is lightweight and waterproof. The white side provides a soft even bounce without any hot spots and the reverse matte black side can be used for negative fill or masking.

This highly versatile fabric is lightweight and waterproof. The white side provides a soft even bounce without any hot spots and the reverse matte black side can be used for negative fill or masking.

Non-reflective material good for backdrops and surfaces. Light-absorbing and a bit stiff, so less drapey than other fabrics like muslin/ satin.

Non-reflective material good for backdrops and surfaces. Light-absorbing and a bit stiff, so less drapey than other fabrics like muslin/ satin.

Non-reflective material good for backdrops and surfaces. Light-absorbing and a bit stiff, so less drapey than other fabrics like muslin/ satin.

Non-reflective material good for backdrops and surfaces. Light-absorbing and a bit stiff, so less drapey than other fabrics like muslin/ satin.

Non-reflective material good for backdrops and surfaces. Light-absorbing and a bit stiff, so less drapey than other fabrics like muslin/ satin.

Non-reflective material good for backdrops and surfaces. Light-absorbing and a bit stiff, so less drapey than other fabrics like muslin/ satin.

Our Water Solid is a rubberized backing material. It has a slight shine with some reflective property. Flame-retardant and Water Proof.

Our Water Solid is a rubberized backing material. It has a slight shine with some reflective property. Flame-retardant and Water Proof.

Our Water Solid is a rubberized backing material. It has a slight shine with some reflective property. Flame-retardant and Water Proof.

Our Water Solid is a rubberized backing material. It has a slight shine with some reflective property. Flame-retardant and Water Proof.

Our Water Solid is a rubberized backing material. It has a slight shine with some reflective property. Flame-retardant and Water Proof.

Our Water Solid is a rubberized backing material. It has a slight shine with some reflective property. Flame-retardant and Water Proof.

This camo net is a wide-weave green netting with a built-in cucoloris pattern (think leafy shadows that would be produced by a tree canopy). It’s often used to create dappled light, to hide unwanted objects in the shot, or to conceal frame shadow. Designed to disrupt outlines at different distances, typically digital camouflage patterns made of pixels. Effective at defeating visual observation.

8' x 8' Egg Crate Control Grid - 50 Deg -includes bag and ties

Checkerboard lamay is an ultra soft reflector with slight warming effect.

Holds Laptop up to 10.5 x 16.5" Lightweight: 1.8 lb Air Slots 5/8" Adapter Included Protective Case Included

The Matthews Monitor Mount is a strong, versatile and compact aluminum bracket that enables you to mount your flat-panel monitor to a light stand, C-Stand, or any other grip equipment with a 5/8" Baby pin/stud. It features a locking pan and tilt handles.

6' x 6' Egg Crate Control Grid - 50 Deg -includes bag and ties

12' x 12' Egg Crate Control Grid - 50 Deg -includes bag and ties

4’ x 4’ Egg Crate Control Grid - 50 Deg -includes bag and ties