Backings

Our unbleached muslin is a heavy diffusion and can be used when shadowless, wrap-around light is desired. Can also be used as a bounce.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

Ultra soft reflectors treated to be a self-extinguishing fabric that will give you a subtle reflective bounce. Our Silver Lamay gives a cool natural effect.

Softens and diffuses direct light and introduces a significant amount of ambient bounce.

May be used both for bouncing, where it gives off a soft light without any hot spot, or as a very soft diffusion material.

Comes standard Flat White

Comes standard Flat White

Set Includes Single-net, Double, Silk (Poly), & Solid Backing. The set includes flags/ nets and scrims, perfect for controlling, reflecting light, and bouncing light. Includes Frame.

Set Includes Single-net, Double, Silk (Poly), & Solid Backing. The set includes d flags/ nets and scrims, perfect for controlling, reflecting light, and bouncing light. Includes Frame.

Set Includes Single-net, Double, Silk (Poly), & Solid Backing. The set includes flags/ nets and scrims, perfect for controlling, reflecting light, and bouncing light. Includes Frame.

Set Includes Single-net, Double, Silk (Poly), & Solid Backing. The set includes flags/ nets and scrims, perfect for controlling, reflecting light, and bouncing light. Includes Frame.

Set Includes Single-net, Double, Silk (Poly), & Solid Backing. The set includes flags/ nets and scrims, perfect for controlling, reflecting light, and bouncing light. Includes Frame.

30.4MP full-frame CMOS sensor paired with the DIGIC 6+ image processor in order to balance fine detail and resolution with low-light performance and sensitivity. It is able to work within a native range of ISO 100-32000, which can then be expanded to an impressive ISO 50-102400, for sharp, low-noise images in a variety of conditions. Along with these improvements to image quality, users will enjoy a performance boost across the board with an enhanced AF system, built-in Wi-Fi, NFC, and GPS, and much more.

This camo net is a wide-weave green netting with a built-in cucoloris pattern (think leafy shadows that would be produced by a tree canopy). It’s often used to create dappled light, to hide unwanted objects in the shot, or to conceal frame shadow. Designed to disrupt outlines at different distances, typically digital camouflage patterns made of pixels. Effective at defeating visual observation.

This camo net is a wide-weave green netting with a built-in cucoloris pattern (think leafy shadows that would be produced by a tree canopy). It’s often used to create dappled light, to hide unwanted objects in the shot, or to conceal frame shadow. Designed to disrupt outlines at different distances, typically digital camouflage patterns made of pixels. Effective at defeating visual observation.

This camo net is a wide-weave green netting with a built-in cucoloris pattern (think leafy shadows that would be produced by a tree canopy). It’s often used to create dappled light, to hide unwanted objects in the shot, or to conceal frame shadow. Designed to disrupt outlines at different distances, typically digital camouflage patterns made of pixels. Effective at defeating visual observation.

This camo net is a wide-weave Beige netting with a built-in cucoloris pattern (think leafy shadows that would be produced by a tree canopy). It’s often used to create dappled light, to hide unwanted objects in the shot, or to conceal frame shadow. Designed to disrupt outlines at different distances, typically digital camouflage patterns made of pixels. Effective at defeating visual observation.

This camo net is a wide-weave green netting with a built-in cucoloris pattern (think leafy shadows that would be produced by a tree canopy). It’s often used to create dappled light, to hide unwanted objects in the shot, or to conceal frame shadow. Designed to disrupt outlines at different distances, typically digital camouflage patterns made of pixels. Effective at defeating visual observation.

This green screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This blue screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This green screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This blue screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This green screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This blue screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This green screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This blue screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This green screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This green screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This green screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This blue screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This green screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

Reversible screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Allows the option to use either blue or green side. Chroma also has a darker shade than Digital, so it wont reflect as much light on its subject.

This blue screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

This green screen has a soft felt like wrinkle free fabric and is designed for use with all chroma key 'effects' systems. Chroma has a darker shade than Digital, so it wont reflect as much light on its subject.

Lighter and brighter shade of Blue than Chroma Blue. More reflective light than Chroma.

Lighter and brighter shade of Green than Chroma Green. More reflective light than Chroma. Subject should be farther from the screen to avoid the green light reflected on the skin, hair, and clothing.

Lighter and brighter shade of Green than Chroma Green. More reflective light than Chroma.

This material is made from a polyester fabric and is a bright and vibrant color making it perfect for all sorts of backgrounds - portrait, product, general commercial photography etc. Lighter and brighter shade of Blue than Chroma Blue. More reflective light than Chroma.

Lighter and brighter shade of Green than Chroma Green. More reflective light than Chroma.

This material is made from a polyester fabric and is a bright and vibrant color making it perfect for all sorts of backgrounds - portrait, product, general commercial photography etc. Lighter and brighter shade of Blue than Chroma Blue. More reflective light than Chroma.

Lighter and brighter shade of Green than Chroma Green. More reflective light than Chroma.

Lighter and brighter shade of Blue than Chroma Blue. More reflective light than Chroma.

Lighter and brighter shade of Green than Chroma Green. More reflective light than Chroma.

Lighter and brighter shade of Blue than Chroma Blue. More reflective light than Chroma.

Lighter and brighter shade of Green than Chroma Green. More reflective light than Chroma. Subject should be farther from the screen to avoid the green light reflected on the skin, hair, and clothing.

Tenba DNA 13 DSLR Camera Messenger Bag (Black) will fit a mirrorless or DSLR camera with 3-5 lenses (up to 70-200mm 2.8) plus flash and accessories, along with a laptop up to 13 inches (33 cm) and a tablet up to 11 inches (28 cm) such as the iPad 11 Pro.

Duvetyne has a matte finish and its high opacity makes it ideal for blocking light.

Duvetyne has a matte finish and its high opacity makes it ideal for blocking light.

Duvetyne is a heavy black fabric with a nap on one side used to block out light. It is flame retardant, making it safe to use around hot lights. Also known as “commando cloth”, duvetyne provides complete light loss and serves many purposes including blacking out windows, concealing cables, protecting equipment, hiding reflections, controlling spill light, and more

Duvetyne has a matte finish and its high opacity makes it ideal for blocking light.

Duvetyne has a matte finish and its high opacity makes it ideal for blocking light.

Duvetyne has a matte finish and its high opacity makes it ideal for blocking light.

Duvetyne has a matte finish and its high opacity makes it ideal for blocking light.

Duvetyne has a matte finish and its high opacity makes it ideal for blocking light.

Unbleached Bolt of Fabric 108” x 5 Yards.

Reinforced woven diffusion material. Absorbs approximately 1/4 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/2 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/2 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/2 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/2 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/4 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/4 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/2 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/2 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/4 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/4 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/2 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/2 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/4 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/4 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/2 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/2 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/4 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1/4 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

Reinforced woven diffusion material. Absorbs approximately 1 stop of light and is relatively quiet when used outdoors in windy conditions.

- Shiny white reflector on one side - Shiny silver on the other

- Shiny white reflector on one side - Shiny black on the other

- Shiny white reflector on one side - Shiny black on the other

- Shiny white reflector on one side - Shiny black on the other

- Shiny white reflector on one side - Shiny silver on the other

- Shiny white reflector on one side - Shiny black on the other

- Shiny white reflector on one side - Shiny black on the other

Our Griffolyn has a reinforced weave and provides very good heavy diffusion or light reflector. White on one side with a shiny gold metallic finish reflector. Provides a natural warm diffusion.

Our Griffolyn has a reinforced weave and provides very good heavy diffusion or light reflector. White on one side with a shiny gold metallic finish reflector. Provides a natural warm diffusion.

- Shiny white reflector on one side - Shiny silver on the other

This product is heavier than the Soft Frosts, and offers higher density diffusion. It is quiet in windy environments and is perfect for use on camera cars. For minimal softening of sunlight, or studio fixture output.

This product is heavier than the Soft Frosts, and offers higher density diffusion. It is quiet in windy environments and is perfect for use on camera cars. For minimal softening of sunlight, or studio fixture output.

This product is heavier than the Soft Frosts, and offers higher density diffusion. It is quiet in windy environments and is perfect for use on camera cars. For minimal softening of sunlight, or studio fixture output.

This product is heavier than the Soft Frosts, and offers higher density diffusion. It is quiet in windy environments and is perfect for use on camera cars. For minimal softening of sunlight, or studio fixture output.

A soft reflector in a Silver and Gold checkerboard pattern. This adds a slight warming effect to the reflected light.

Our gold lamay is an ultra soft reflector with slight warming effect.

Ultra soft reflectors treated to be a self-extinguishing fabric that will give you a subtle reflective bounce Gives a cool natural effect.

Our gold lamay is an ultra soft reflector with slight warming effect.

Ultra soft reflectors treated to be a self-extinguishing fabric that will give you a subtle reflective bounce. Gives a cool natural effect.

Our gold lamay is an ultra soft reflector with slight warming effect.

A soft reflector in a Silver and Gold checkerboard pattern. Adds a very slight warming effect to the reflected light.

Ultra soft reflectors treated to be a self-extinguishing fabric that will give you a subtle reflective bounce.

Our gold lamay is an ultra soft reflector with slight warming effect.

Ultra soft reflectors treated to be a self-extinguishing fabric that will give you a subtle reflective bounce. Gives a cool natural effect.

A soft reflector in a Silver and Gold checkerboard pattern, which adds a slight warming effect to the reflected light.

Designed for close-up shooting, the FUJIFILM XF 80mm f/2.8 R LM OIS WR Macro is a 122mm equivalent telephoto prime for X-mount mirrorless cameras. The long focal length coupled with the f/2.8 maximum aperture is well-suited to isolating subject matter, especially when paired with the short 9.8" minimum focusing distance, and a 1:1 life-size magnification is ideal for macro shooting. A Floating Focus System benefits close-up work by using two distinct focusing groups in order to maintain image quality throughout the focus range, and a linear motor ensures quick, quiet autofocus performance. Additionally, a five stop-effective optical image stabilization system complements making sharp imagery by minimizing the appearance of camera shake. Compatible with optional XF 1.4x TC WR and XF 2x TC WR teleconverters for extending the effective focal length to an equivalent 171mm and 244mm, respectively.

Combining the versatility of a zoom with the speed typically reserved for a prime, the Canon RF 28-70mm f/2 L USM is a wide-angle to portrait-length lens distinguished by its impressively unique f/2 constant maximum aperture. This bright design yields excellent low-light performance along with enhanced control over depth of field for isolating subject matter. Ultra-Low Dispersion glass is employed in the optical design, and greatly reduces color fringing and chromatic aberrations in order to realize high clarity and color accuracy. Complementing the advanced optical properties is Canon's proven ring-type Ultrasonic Motor, which delivers fast and quiet autofocus performance along with full-time manual focus control. Additionally, unique to RF lenses, this 28-70mm incorporates a configurable Control Ring for intuitively adjusting exposure settings, including ISO, aperture, and exposure compensation, from the lens itself.

Offering a broad field of view within a compact form factor, the FUJIFILM GF 30mm f/3.5 R WR is a svelte wide-angle prime lens for the G-mount GFX medium format camera system.

Designed for the FUJIFILM G-mount GFX camera system, this GF 32-64mm f/4 R LM WR Lens is a wide-angle zoom offering a 25-51mm equivalent focal length range

Designed for the FUJIFILM G-mount GFX camera system, this GF 32-64mm f/4 R LM WR Lens is a wide-angle zoom offering a 25-51mm equivalent focal length range

Designed for the FUJIFILM G-mount GFX camera system, this GF 32-64mm f/4 R LM WR Lens is a wide-angle zoom offering a 25-51mm equivalent focal length range

4 x 5.65" Glimmerglass 1/4 Filter is a beauty filter whose function is two-fold: in addition to modifying the appearance of the image itself, it also features a sparkling appearance when viewed from the front, instilling more confidence in the model. The filter itself helps to soften skin details, blemishes, and wrinkles. It also produces glowing highlights and a mild reduction in contrast for a more ethereal appearance.

A contemporary take on the classic short telephoto macro lens, the Nikon AF-S VR Micro-NIKKOR 105mm f/2.8G IF-ED excels at close range with its life-size 1:1 maximum magnification and a minimum focusing distance of 1'.

NIKKOR 24mm f/1.4G ED from Nikon

NIKKOR Z 35mm f/1.4 Lens from Nikon

AF-S NIKKOR 58mm f/1.4G from Nikon is a unique prime that pairs the distinct slightly long focal length with a fast maximum aperture. The bright f/1.4 design enables working in difficult lighting conditions and also permits working with shallow depth of field and selective focus techniques.

Nikon AF-S NIKKOR 85mm f/1.4G is a short-telephoto prime characterized by its bright f/1.4 maximum aperture and ability to isolate subjects using shallow depth of field.

Produces very well diffused, neutral light (non color temp altering). This diffusion is especially effective with point sources and a great choice for diffusing LED light as well.

Produces very well diffused, neutral light (non color temp altering). This diffusion is especially effective with point sources and a great choice for diffusing LED light as well.

Produces very well diffused, neutral light (non color temp altering). This diffusion is especially effective with point sources and a great choice for diffusing LED light as well.

Produces very well diffused, neutral light (non color temp altering). This diffusion is especially effective with point sources and a great choice for diffusing LED light as well.

Produces very well diffused, neutral light (non color temp altering). This diffusion is especially effective with point sources and a great choice for diffusing LED light as well.

It may be used both for bouncing, where it gives off a soft light without any hot spot, or as a very soft diffusion material.

Our unbleached muslin is a heavy diffusion and can be used when shadowless, wrap-around light is desired. Can also be used as a bounce.

It may be used both for bouncing, where it gives off a soft light without any hot spot, or as a very soft diffusion material.

12 x 12 Muslin in Night Gray can be used as either a heavy diffusion or backing. Less reflective and absorbs more light than bleached and unbleached muslins.

Our 12X 12 Seamless backing may be used both for bouncing, where it gives off a soft light without any hot spot, or as a very soft diffusion material, all without a seam.

Our unbleached muslin is a heavy diffusion and can be used when shadowless, wrap-around light is desired. Can also be used as a bounce.

It may be used both for bouncing, where it gives off a soft light without any hot spot, or as a very soft diffusion material.

Our unbleached muslin is a heavy diffusion and can be used when shadowless, wrap-around light is desired. Can also be used as a bounce.

Can be used both for bouncing, where it gives off a soft light without any hot spot, or as a very soft diffusion material.

It may be used both for bouncing, where it gives off a soft light without any hot spot, or as a very soft diffusion material.

Our unbleached muslin is a heavy diffusion and can be used when shadowless, wrap-around light is desired. Can also be used as a bounce.

It may be used both for bouncing, where it gives off a soft light without any hot spot, or as a very soft diffusion material.

8’ x 8’ Muslin in Night Gray can be used as either a heavy diffusion or backing. Less reflective and absorbs more light than bleached and unbleached muslins.

Our unbleached muslin is a heavy diffusion and can be used when shadowless, wrap-around light is desired. Can also be used as a bounce.

Double layer of bobbinet net fabric for reducing light output 1.2 f-stops without altering light quality.

Cuts light by 0.6 stops without changing the temperature or pattern. Single scrims are used overhead to reduce sunlight or ambient light. The single scrims also work great as a shoot thru background, softening the background and reducing it's brightness. A single net can be used behind your subject, allowing enough distance so the camera will not see the pattern of the net fabric.

Double layer of bobbinet net fabric for reducing light output 1.2 f-stops without altering light quality.

Cuts light by 0.6 stops without changing the temperature or pattern. Single scrims are used overhead to reduce sunlight or ambient light. The single scrims also work great as a shoot thru background, softening the background and reducing it's brightness. A single net can be used behind your subject, allowing enough distance so the camera will not see the pattern of the net fabric.

Double layer of bobbinet net fabric for reducing light output 1.2 f-stops without altering light quality.

Cuts light by 0.6 stops without changing the temperature or pattern. Single scrims are used overhead to reduce sunlight or ambient light. The single scrims also work great as a shoot thru background, softening the background and reducing it's brightness. A single net can be used behind your subject, allowing enough distance so the camera will not see the pattern of the net fabric.

Cuts light by 0.6 stops without changing the temperature or pattern. Single scrims are used overhead to reduce sunlight or ambient light. The single scrims also work great as a shoot thru background, softening the background and reducing it's brightness. A single net can be used behind your subject, allowing enough distance so the camera will not see the pattern of the net fabric.

Double layer of bobbinet net fabric for reducing light output 1.2 f-stops without altering light quality.

Cuts light by 0.6 stops without changing the temperature or pattern. Single scrims are used overhead to reduce sunlight or ambient light. The single scrims also work great as a shoot thru background, softening the background and reducing it's brightness. A single net can be used behind your subject, allowing enough distance so the camera will not see the pattern of the net fabric.

Double layer of bobbinet net fabric for reducing light output 1.2 f-stops without altering light quality.

Cuts light by 0.6 stops without changing the temperature or pattern. Single scrims are used overhead to reduce sunlight or ambient light. The single scrims also work great as a shoot thru background, softening the background and reducing it's brightness. A single net can be used behind your subject, allowing enough distance so the camera will not see the pattern of the net fabric.

Double layer of bobbinet net fabric for reducing light output 1.2 f-stops without altering light quality.

Cuts light by 0.6 stops without changing the temperature or pattern. Single scrims are used overhead to reduce sunlight or ambient light. The single scrims also work great as a shoot thru background, softening the background and reducing it's brightness. A single net can be used behind your subject, allowing enough distance so the camera will not see the pattern of the net fabric.

Double layer of bobbinet net fabric for reducing light output 1.2 f-stops without altering light quality.

Cuts light by 0.6 stops without changing the temperature or pattern. Single scrims are used overhead to reduce sunlight or ambient light. The single scrims also work great as a shoot thru background, softening the background and reducing it's brightness. A single net can be used behind your subject, allowing enough distance so the camera will not see the pattern of the net fabric.

Slightly softens and diffuses light, without much reduction of light intensity. Introduces a significant amount of ambient bounce.

Softens and diffuses direct light and introduces a significant amount of ambient bounce Approximate light loss is 1.6 stops

Slightly softens and diffuses light, without much reduction of light intensity. Introduces a significant amount of ambient bounce.

Softens light without a great reduction of intensity Introduces a significant amount of ambient bounce Approximate light loss of 1.0 stop

Softens and diffuses direct light and introduces a significant amount of ambient bounce Approximate light loss is 1.6 stops

Slightly softens and diffuses light, without much reduction of light intensity. Introduces a significant amount of ambient bounce.

Softens and diffuses direct light without introducing ambient bounce. Cuts all light bounce that a white silk would have.

Softens light without a great reduction of intensity Introduces a significant amount of ambient bounce Approximate light loss of 1.0 stop

Softens and diffuses direct light and introduces a significant amount of ambient bounce Approximate light loss is 1.6 stops

Slightly softens and diffuses light, without much reduction of light intensity. Introduces a significant amount of ambient bounce.

Softens light without a great reduction of intensity Introduces a significant amount of ambient bounce Approximate light loss of 1.0 stop

Softens and diffuses direct light and introduces a significant amount of ambient bounce Approximate light loss is 1.6 stops

Softens and diffuses direct light and introduces a significant amount of ambient bounce Approximate light loss is 1.6 stops

Softens light without a great reduction of intensity Introduces a significant amount of ambient bounce Approximate light loss of 1.0 stop

Softens and diffuses direct light and introduces a significant amount of ambient bounce Approximate light loss is 1.6 stops

Softens and diffuses direct light without introducing ambient bounce. Cuts all light bounce that a white silk would have.

Softens light without a great reduction of intensity Introduces a significant amount of ambient bounce Approximate light loss of 1.0 stop

Softens and diffuses direct light and introduces a significant amount of ambient bounce Approximate light loss is 1.6 stops

Slightly softens and diffuses light, without much reduction of light intensity. Introduces a significant amount of ambient bounce.

Softens and diffuses direct light without introducing ambient bounce. Cuts all light bounce that a white silk would have.

Softens light without a great reduction of intensity Introduces a significant amount of ambient bounce Approximate light loss of 1.0 stop

Softens and diffuses direct light and introduces a significant amount of ambient bounce Approximate light loss is 1.6 stops

This white vinyl product offers a light soft glow and and holds its diffusion properties even when wet, making it perfect for wet weather applications. Cuts the edge on direct light sources and does not diffuse as much as silks.

This white vinyl product offers a light soft glow and and holds its diffusion properties even when wet, making it perfect for wet weather applications. Cuts the edge on direct light sources and does not diffuse as much as silks.

This white vinyl product offers a light soft glow and and holds its diffusion properties even when wet, making it perfect for wet weather applications. Cuts the edge on direct light sources and does not diffuse as much as silks.

This white vinyl product offers a light soft glow and and holds its diffusion properties even when wet, making it perfect for wet weather applications. Cuts the edge on direct light sources and does not diffuse as much as silks.

This white vinyl product offers a light soft glow and and holds its diffusion properties even when wet, making it perfect for wet weather applications. Cuts the edge on direct light sources and does not diffuse as much as silks.

This white vinyl product offers a light soft glow and and holds its diffusion properties even when wet, making it perfect for wet weather applications. Cuts the edge on direct light sources and does not diffuse as much as silks.

This white vinyl product offers a light soft glow and and holds its diffusion properties even when wet, making it perfect for wet weather applications. Cuts the edge on direct light sources and does not diffuse as much as silks.

This white vinyl product offers a light soft glow and and holds its diffusion properties even when wet, making it perfect for wet weather applications. Cuts the edge on direct light sources and does not diffuse as much as silks.

This white vinyl product offers a light soft glow and and holds its diffusion properties even when wet, making it perfect for wet weather applications. Cuts the edge on direct light sources and does not diffuse as much as silks.

This highly versatile fabric is lightweight and waterproof. The white side provides a soft even bounce without any hot spots and the reverse matte black side can be used for negative fill or masking.

This highly versatile fabric is lightweight and waterproof. The white side provides a soft even bounce without any hot spots and the reverse matte black side can be used for negative fill or masking.

This highly versatile fabric is lightweight and waterproof. The white side provides a soft even bounce without any hot spots and the reverse matte black side can be used for negative fill or masking.

This highly versatile fabric is lightweight and waterproof. The white side provides a soft even bounce without any hot spots and the reverse matte black side can be used for negative fill or masking.

This highly versatile fabric is lightweight and waterproof. The white side provides a soft even bounce without any hot spots and the reverse matte black side can be used for negative fill or masking.

Non-reflective material good for backdrops and surfaces. Light-absorbing and a bit stiff, so less drapey than other fabrics like muslin/ satin.

Non-reflective material good for backdrops and surfaces. Light-absorbing and a bit stiff, so less drapey than other fabrics like muslin/ satin.

Non-reflective material good for backdrops and surfaces. Light-absorbing and a bit stiff, so less drapey than other fabrics like muslin/ satin.

Non-reflective material good for backdrops and surfaces. Light-absorbing and a bit stiff, so less drapey than other fabrics like muslin/ satin.

Non-reflective material good for backdrops and surfaces. Light-absorbing and a bit stiff, so less drapey than other fabrics like muslin/ satin.

Non-reflective material good for backdrops and surfaces. Light-absorbing and a bit stiff, so less drapey than other fabrics like muslin/ satin.

Our Water Solid is a rubberized backing material. It has a slight shine with some reflective property. Flame-retardant and Water Proof.

Our Water Solid is a rubberized backing material. It has a slight shine with some reflective property. Flame-retardant and Water Proof.

Our Water Solid is a rubberized backing material. It has a slight shine with some reflective property. Flame-retardant and Water Proof.

Our Water Solid is a rubberized backing material. It has a slight shine with some reflective property. Flame-retardant and Water Proof.

Our Water Solid is a rubberized backing material. It has a slight shine with some reflective property. Flame-retardant and Water Proof.

Our Water Solid is a rubberized backing material. It has a slight shine with some reflective property. Flame-retardant and Water Proof.

This camo net is a wide-weave green netting with a built-in cucoloris pattern (think leafy shadows that would be produced by a tree canopy). It’s often used to create dappled light, to hide unwanted objects in the shot, or to conceal frame shadow. Designed to disrupt outlines at different distances, typically digital camouflage patterns made of pixels. Effective at defeating visual observation.

8' x 8' Egg Crate Control Grid - 50 Deg -includes bag and ties

Checkerboard lamay is an ultra soft reflector with slight warming effect.

6' x 6' Egg Crate Control Grid - 50 Deg -includes bag and ties

12' x 12' Egg Crate Control Grid - 50 Deg -includes bag and ties

4’ x 4’ Egg Crate Control Grid - 50 Deg -includes bag and ties